| Show Time | ||
| Reviews | ||
| Trailor | ||
| Credits | ||
| Director |
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| Cast |
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| Katayoun
Riahi |
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| Mohammad
Reza Golzar |
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| Sorayya
Ghassemi |
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| Atila
Pesiani |
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| Haniyeh
Tavassoli |
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| Screenplay |
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| Fereydoun
Jeyrani |
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Nazanin
Mofakham |
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| Dir.
Photography |
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| Aziz
Sa'ati |
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| Music |
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| Fereydoun
Shahbazian |
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| Editing
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| Nazanin
Mofakham |
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| Set
Designer |
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| Farhad
Farsi |
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| Sound |
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| Bahman Heydari |
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| Producer |
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| Yadollah
Shahidi |
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| "THE LAST SUPPER" | ||
| Iran/2002/35mm/Color/96min. | ||
| in Farsi with English Subtitle | ||
| SYNOPSIS: After twenty - six year living with her husband and for all the differences in their behavior and thoughts, Mihan Mashreghi, a professor of architecture, gets divorce from him with the insistence of her daughter, Setareh. Moved to her old father house, she begins a new life with her daughter and her nanny, Afagh, but when one of his youngl students, Mani Motaref enters her life, everything start to change ... | ||
| Director's View | ||
|
THE LAST SUPPER follows the same tracks of RED and FIRE AND WATER,
but it is a more developed picture in structural and intellectual
aspects. Also in THE LAST SUPPER, main characters are confronted by
each other and known by the audience in crucial situations. Of course,
I enjoy that these characters are making decision in such crucial
situations. |
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